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Weeds - S07E08

Crime . Drama . Comedy
 

Is the grass really greener on the other side? Yes, and it smells better, too! So when Nancy Botwin (Golden Globe winner Mary-Louise Parker) faces both sudden widowhood and poverty, she's determined to do anything to keep her kids in suburbia, including taking a job as the neighborhood pot dealer. Subversive, satirical and hilarious, the first season of this groundbreaking Showtime hit is guaranteed to spark laughter!

 
Episode Title: Synthetics
Airs: 2011-8-15 at 10:00 pm
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  • David Wiegand

    "Weeds" may indeed be the best-written new show of the year so far, but the performances are superb as well.

    San Francisco Chronicle Full Review
  • Gillian Flynn

    The opening of Weeds makes me want to scream. ... That said, Weeds is a dozen times more creative than its opening credits.

    Entertainment Weekly Full Review
  • Alessandra Stanley

    The premiere is a bit stiff, but the episodes improve over time, mostly thanks to two mesmerizing actresses in the lead roles.

    The New York Times Full Review
  • Jennifer Frey

    Showtime's subversive new offering is smart, funny, human and truly likable.

    Washington Post Full Review
  • Dana Stevens

    Weeds is still trying a little too hard—trying, by turns, to be edgy and HBO-ish or campy and ABC-ish. But if it hasn't yet quite achieved the self-confident swagger of HBO flagships like The Wire or The Sopranos, it's certainly a lot more fun to watch than Desperate Housewives.

    Slate Full Review
  • John Leonard

    The best I can wish for is a vehicle worthy of Parker’s prodigal talents ... By this standard, Showtime’s new sitcom Weeds is at least adequate, verging occasionally on inspired.

    New York Magazine (Vulture) Full Review
  • Ed Gonzalez

    Like Lisa Kudrow on the heinous The Comeback, Parker brings a great performance to a less than one-dimensional part.

    Slant Magazine Full Review
  • Tom Gliatto

    Weeds feels like a stoned Desperate Housewives: The pupils are dilated wide, as if able to pick out in sharp relief every detail of this suburban America, yet nothing really seems in focus at all.

    People Weekly Full Review
  • Paul Brownfield

    The result is another finely acted cable drama with great production values and the germ of an interesting idea behind it but no coherent tone or character development or story, even -- just a series of attempts to pass off creatively exaggerated behavior, the more desperate the better, as some kind of social commentary.

    Los Angeles Times Full Review
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