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Comedy . Drama . Romance

Straitlaced Princeton University admissions officer Portia Nathan (Tina Fey) is caught off-guard when she makes a recruiting visit to an alternative high school overseen by her former college classmate, the freewheeling John Pressman (Paul Rudd). Pressman has surmised that Jeremiah (Nat Wolff), his gifted yet very unconventional student, might well be the son that Portia secretly gave up for adoption many years ago. Soon, Portia finds herself bending the rules for Jeremiah, putting at risk the life she thought she always wanted -- but in the process finding her way to a surprising and exhilarating life and romance she never dreamed of having.

Actors: Nat Wolff , Christopher Evan Welch , Elaine Kussack , Wallace Shawn , Gloria Reuben , Maggie Keenan-Bolger , Dan Levy , Ben Levin , Ann Harada , Paul Rudd , Tina Fey
Directors: Paul Weitz
Country: USA
Add a Review

Michael O'Sullivan
Washington Post

Admission is not especially funny. The trailer can’t seem to make up its mind. On the one hand, it looks like a satire of academia. On the other hand, it could be a gentle rom-com. In truth, it’s neither.

Rick Groen
The Globe and Mail (Toronto)

The result is a picture curiously yet intriguingly at odds with itself: One moment is edgy, the next is not; the cast is terrific, the direction is not; here it’s satirically sharp, there it’s sloppily sentimental; now we’re happily engaged, then we’re cruelly dumped. Some films are electric – Admission settles for alternating current.

Nathan Rabin
The A.V. Club

Admission ultimately can’t quite figure out what kind of a film it wants to be, so like a lot of promising but unfocused contenders, it never quite lives up to its potential. But there’s value to be found in its meandering.

Owen Gleiberman
Entertainment Weekly

Admission, a likably breezy campus movie directed by Paul Weitz (About a Boy), is blissfully non-insulting.

Ella Taylor

Where "About a Boy" was both funny and wise about urban alienation, Admission settles for skin deep.

Claudia Puig
USA Today

Largely because of its engaging cast, Admission is an amiable, but only slightly-above-average, comic romp.

Lou Lumenick
New York Post

She’s (Fey) so good that — up to a point — you can ignore Paul Weitz’ erratic direction and a patchy script, both of which clumsily handle shifts between comedy and drama.

James Berardinelli

My evaluation is to wait-list Admission and catch it when it reaches the less demanding platform of home video.

Steven Rea
Philadelphia Inquirer

Admission works in stops and starts.

Ty Burr
Boston Globe

Cheerful, skittish entertainment that never takes its subject seriously enough.

Michael Phillips
Chicago Tribune

There's a good movie in this story. The one that got made is roughly half-good.

Roger Moore
McClatchy-Tribune News Service

Fey plays this inner-outer conflict well. But at her most wide-eyed and vulnerable, she still has trouble making a romance credible, even with Rudd, edgy comedy’s puppy dog of a leading man.

Dana Stevens

I found myself curiously willing to overlook Admission’s weaknesses, or even to reinterpret them as strengths — couldn’t those inconclusive endings be seen as a refreshingly un-rom-com-like embrace of life’s open-endedness and complexity?

Marc Mohan
Portland Oregonian

Lily Tomlin gives the movie a boost as Portia's radical feminist mother, who would hate this movie.

Mick LaSalle
San Francisco Chronicle

Everybody in Admission is funny - Tina Fey, Paul Rudd, Lily Tomlin, Wallace Shawn - but they're not funny in Admission.

Calvin Wilson
St. Louis Post-Dispatch

Admission is one film you may not want to get into.

Bill Goodykoontz
Arizona Republic

Admission is pleasant enough. Even when off a bit, the talent of the cast assures that. But it’s still a disappointment. You might say it, ahem, doesn’t make the grade.

Andrew O'Hehir

The movie’s just too boring and middlebrow.

A.O. Scott
The New York Times

Mr. Weitz lines up a target placed at the explosive intersection of class, race, region and every other source of societal anguish, and then does not so much miss as aim in another direction — or several — letting fly a volley of darts that land as lightly as badminton birdies.

Peter Travers
Rolling Stone

I'd see Tina Fey and Paul Rudd in anything, but this is pushing it. Admission is so slight that a breeze could flatten it.

Richard Roeper
Chicago Sun-Times

Admission has some sublime moments, most of them involving Fey and Rudd dancing around their inevitable romance. The problem is in the foundation.

Marjorie Baumgarten
Austin Chronicle

Never finding its right tone, Admission uncomfortably founders between the story’s comic and dramatic aspects and leaves behind a lumpy residue that tars its likable leads.

Stephanie Zacharek
Village Voice

Weitz, an openhearted director if not always a precise one, can't bring himself to whet the knives. Only Fey drills to the center of what Admission might have been—her performance has more layers of emotion than the picture does.

Todd McCarthy
The Hollywood Reporter

Deftly playing Tina Fey's feminist-icon mother, Lily Tomlin all but steals Admission, a knowing but uneven comedy about the neuroticism of the college-admission process on both sides of the equation.

William Goss

Actions do have their consequences, though, and Weitz doesn’t try to end things too tidily for their own good. Were only that he had succeeded in committing to one of those films over the other, then Admission might have been this year’s “Liberal Arts” rather than this year’s “Smart People.”

Peter Debruge

The comedy feels forced as Fey works overtime to insert unnecessary zingers at the tail of every scene. If the cast weren’t so endearing, her actions could easily sour an audience on the whole experience, and Admission digs itself a hole only an ensemble this appealing can escape.

Lawrence Toppman
Charlotte Observer

Doris Day will be 89 in two weeks, which makes her exactly half a century too old to play the lead in Admission. That’s a pity, as perhaps only she could have done it justice – if it had been made in 1958.

Peter Rainer
Christian Science Monitor

Granted, this is not automatic laugh-riot material, nor should it be, but didn’t Fey recognize how hackneyed it all is? Does being a movie star mean blanding out everything that makes you special?

Peter Bradshaw
The Guardian

The comic material really isn't there, and the plot transitions feel forced and uncomfortable.

Tim Robey
The Telegraph

The movie subverts expectations, and not in a good way, by seeming in a dither about its own identity. The romance is by the by, the comedy as sparse as can be. We’re left with a curious non-film about the pitfalls of higher education assessment. Odd.

James White

Occasionally charming but mostly bland fare from Weitz, despite the reliable cast. About A Boy remains the best showcase of his talents.

Ken McIntyre
Total Film

These truly are dark and terrible times if we are forced to accept the elitist problems of an Ivy League college admissions officer as shameless fodder for a romcom.

Mary Pols

While Admission remains the story of a woman who comes to question her past choices and jeopardize her career, the movie version is lighter, fluffier and dramatically inert.

Joshua Rothkopf
Time Out New York

Admission’s comedy has walls built around it; director Paul Weitz (About a Boy), normally a softener of harsh edges, might have been stymied by Fey’s snappy persona.

David Edelstein
New York Magazine (Vulture)

That first half of Admission is a lot for an actress to overcome. It’s not just very bad, it’s very fast, as if someone had overwound the metronome. Fairly naturalistic lines are delivered at the pace of screwball zingers — which stubbornly refuse to zing.

Slant Magazine

The estrogenic elements prove widely ineffectual, but they're just pieces of this overlong, overloaded misfire whose double-entendre title ultimately just goads the jaded viewer to admit defeat.

Gabe Toro
The Playlist

It’s as if Weitz knows he’s got a corpse of a film on his hands -- never trust a movie when it feels as though you can see the director clasping the defibrillator.

Joe Morgenstern
Wall Street Journal

Nobody doesn't like Tina Fey, and anyone aware of her starring role in Admission will be wishing her well. But wishing won't make this dramedy any less dreary than it is.

Joe Neumaier
New York Daily News

The bad news about Admission is that this thin envelope of a comedy checks all the boxes for being a phoned-in, phony, padded rom-com.

Add Soundtrack

1. 2-Part Invention #1 in C. BWV 772 ( Performer: Christy Carew )

2. Careful ( Performer: Flip Grater )

3. Cool Samba ( Performer: Andrew Prosser, Mark Allaway, & Melissa Heathcote )

4. Naturally ( Performer: Future People )

5. George Was Here ( Performer: Michael A. Levine )

6. Lucky ( Performer: Kat Edmonson )

7. Peaceful Carillon ( Performer: Christy Carew )

8. Blues The Most ( Performer: Hampton Hawes )

9. Shine Right Through ( Performer: Correatown )

10. Make Your Heart ( Performer: Azure Ray )

11. Tigertown Blues ( Performer: Dick Armstrong )

12. Hasta Quemarnos ( Performer: Kinky )

13. It's Amazing ( Performer: Jem )

14. (What I) Wouldn't Do ( Performer: A Fine Frenzy )

15. Shapiro, The Kid ( Performer: David Torn )

16. We Are Young ( Performer: Vassy )

17. I Remember You ( Performer: Stephen Trask Itunes )

18. Sticker Shock ( Performer: Stephen Trask Itunes )

19. Fork In the Road ( Performer: Stephen Trask Itunes )

20. What's Real ( Performer: Stephen Trask Itunes )

21. Waitlisted ( Performer: Stephen Trask Itunes )

22. Waitlisted (Alternate Version) ( Performer: Stephen Trask Itunes )

23. Autodidact ( Performer: Stephen Trask Itunes )

24. I Dream of Jeremiah ( Performer: Stephen Trask Itunes )

25. Welcome To Princeton ( Performer: Stephen Trask Itunes )

26. Jazz Goes To College ( Performer: Stephen Trask Itunes )

27. Game On ( Performer: Stephen Trask Itunes )

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